New Website Launch

Today I am going live with the new and improved Dinsmore Music website! So far I really like the look and feel… simple, clear, and uncluttered. Like any website, there will be many additions and improvements along the way and I hope to keep adding to the blog posts consistently with each new project. Even though that has proven to be difficult in the past.

Since leaving Sound Kitchen Studios a few months ago I have been reexamining the best way to handle independent music projects. These artists are always in need of pro-quality recording, writing, and production elements all at an affordable budget price point. The challenge has always been to provide value while not cutting corners which leads to an inferior product. Luckily over the years, I have made many friends and contacts in all phases of the recording process that will allow me to ensure that quality doesn’t plummet with the price. My goal will be to bring together all of my audio relationships (studios, engineers, session players, cartage, etc.) and design a way that we can provide self-funded artists with a way to record their music with a high standard of quality. It has been in my experience that passion, caring, hard work and honesty will outperform “pedigree” 100% of the time.

Ready To Record? Read This First...

First let me preface, I work in a large recording studio and this is my personal & professional opinion intended for educational purposes.  This information is geared toward the inexperienced independent artists out there looking to record their own self funded musical project. I field all kinds of questions every day about the recording process; this leads me to believe that some artists are uninformed about the process.

Here are 10 questions you should be asking yourself:

1.       Am I ready to record? You’ll need to be incredibly honest with yourself throughout the recording process so start now! Have you practiced enough? Do you have a clear vision of what you would like your music to sound like (with references)? Do you know your strengths & weaknesses musically? Are you evaluating your abilities with 100% honesty? Remember, Mom & Dad will love everything you do (as will your good friends), try to get some unbiased feedback that you can trust! The single most important thing to ask yourself is…are these songs AMAZING? Your material has to literally blow down doors and really connect with your listeners!

2.       Are your songs completed?  The recording studio is not the place to finish roughing out your material. Studio time in any professional studio is expensive and you’ll waste time & money if you don’t have your material 99% done. Sure, you can still tweak things and make a few changes but keeping these to a minimum will be crucial.

3.       How many songs are you looking to record?  Don’t make the mistake of recording 12 songs on an insanely tight time frame & budget, rather than simply doing 4 songs 100%. Remember 4 song demos are made for a reason; too many songs are actually a turn off to someone trying to hear your best material in a small sample. Quality is the first component when someone evaluates your music and talent; as most won’t take the time to “hear through” a bad recording. Also, don’t be afraid to settle for a quality acoustic recording. Sometimes less is more and the budget for an acoustic record is fractions of a full scale session.  

4.       Do you have a band or will you need session musicians? Are you performing as a band or as a solo artist? If you’re a band you have to be tight, rehearsed, and confident as a unit. I’ve seen one shaky member tank the entire group before, so be brutally honest with everyone & only bring the A team to the studio. If you’re simulating a band, then trust the studio to find you the best players around. Nashville is home to another level of musician and they are as close to perfection as possible. Session players will not only be the best player possible, but they’ll also save you money in studio time due to their efficiency.    

5.       Are you intending to play your own instrument? This is always a sensitive subject, and I truly understand the artists that insist on playing their own instruments. That being said, don’t think it’s a slight on your playing abilities if a producer recommends you don’t.  Never lose sight of the big picture, your music needs to sound as good as possible at all costs! Know your abilities, if someone else can do it better, faster, cleaner, and cheaper, then why not have an open mind to the possibility?  

6.       Do you have a producer? Studios have connections with producers if you don’t, and I (of course) highly advise having one on your session. However, don’t be afraid to meet a few of them to discuss your music, and then pick the producer your most comfortable with. Ideally, he or she, is the one that you feel really understands where your trying to go with your sound.

7.       Do you have an engineer? Don’t worry if you don’t, as all studios have these contacts as well. I’d trust your producer to pick this one, you’ll have better results. If you’re not using a producer then the same guidelines apply from the last question.

8.       Where are you going to mix? Don’t be afraid to use a “non- traditional” studio or space to mix your project. However, keep in mind you’ll get what you pay for and quality should never be compromised. For my projects I’ll set a 1 to 2 song per day limit for max mixing speed. Can it be done faster? Yes, but I personally feel you are leaving some musical roads unexplored to do so.  Also, please only track (record) the music in an acoustically treated “live room”. With good equipment mixing “can” be done outside of the professional studio environment; however I feel strongly that tracking still needs to be done in an acoustically treated studio space.  

9.       Are you going to master your recordings? Mastering is an important part of the final product and I recommend having your music mastered when you can afford it. Mastering is all about “polishing” the final mix and getting it ready for the radio or CD.

10.   What are you going to do after recording? Have a plan for this period and please know that recording studios have fulfilled their duty when the final product is given to you. Studios, for the most part, are not going to have a lot of support in the way of “after care” services. It doesn’t mean they don’t care about your career, but (shopping songs, placement, label signings, booking performances, merchandise, etc.) aren’t typically in their business model. Just because you record in a world famous studio doesn’t mean that studio will sign you to a record deal or escort you to one. The modern musical landscape now is all about self promotion, with the “dawn of the social media era” we now live in, it’s easier to get exposure. With a professional recording in hand your success will be entirely up to your individual determination to pursue. If music is your passion then go for it aggressively, meet people, get exposure from anywhere and keep going!   

Engineers & Producers - Whats the difference?

This is a question that I frequently get from clients & artists who are looking to record. With clients budgets being more modest and "in studio" recording times decreasing, artists are having to take a harder look at all session expenses. Engineers & Producers are part of the equation and these two jobs are extremely important to the recording process. This is my attempt simply to educate, not to imply that "this is how every session works in every situation".

Generally, an engineer and a producer are listening to two different aspects of the same piece of music being recorded. In a typical session there are two engineers a 1st & a 2nd who handle & run all of the equipment needed for capturing sound. A 1st engineer is in charge of the equipment & the quality of sound that is coming through the mixing console/board going to "tape" (Pro Tools). Typically they'll pick out some preferred microphones, outboard gear, and vocal chain that he or she likes. A 2nd is the 1st's assistant and does whatever the 1st doesn't have enough hands to do in the moment. The 2nd engineer usually set's up & tears down the session, patches the mics, and is there for any session needs that arises unexpectedly. Typically, as a "stereotype" engineers are in love with different tones, sounds, frequencies, outboard gear (or any devise that does sound manipulation), compression, eq's, computers, file management, Pro Tools recording software, etc. We lovingly refer to them as the "button pushers" who just love to fiddle with knobs and switched. However, they are truly "engineers" in the literal sense, only these engineers design, manipulate, and build audio projects.     

With that said, I have found that people are the most confused about what a music producer actually does. A producer, from an artists perspective, is your best friend and advocate in a recording session. Producers work with the artist to develop & enhance the range & scope of the artists composition. Producers focus primarily on the music being recorded & managing the funds required to do so. We handle the musical arrangement, song tempo, lyrics & chords, number charting, last minute rewrites, musical coaching & performance, hiring musicians, developing budgets & keeping the project on schedule, coordinating session times, all personnel payments, union cards, invoices, overseeing the entire session, to name a few. A producer will be able to push you passed your perceived limitations (that you have put on yourself) to get the best performances out of you. A good producer will understand the artist and know (like no one else can) what they desire their music to sound like. A great producer must be able to honor the artists vision (while at the same time) keeping what sells & is marketable in mind.  When you have a producer on your side you'll have a fun experience recording, be as efficient as possible (to keep your budget low), and perform to the best of your abilities.

Alexandra Browne Recording

I'm excited to be producing Alexandra's next round of songs! This time we'll be going for six songs total and Alexandra has brought me some of her newest material. I'll be working with a super team of musicians and engineers as usual. Glen Duncan, Mike Brignardello, Paul Hollowell, Patrick Murphy, Lester Estelle, Ethan Nichols, etc. I'll post the results when everything is done!